Kinkatso & Co.: MY MUSICAL MEMORIES...

Thursday 31 August 2023

MY MUSICAL MEMORIES...

Me, Kinkatso
Hey, I'm just an old hippie!
You know, peace and love...

I was born in the 1950s, when the rock 'n' roll movement was quickly coming to an end with the Day the Music Died (as explained in the song "American Pie"), the scandal of Jerry Lee Lewis' marriage to his 13-year-old cousin, and the induction of Elvis Presley into the United States Army. As the 1960s began, the major rock 'n' roll stars of the '50s such as Chuck Berry and Little Richard had dropped off the charts and popular music in the U.S. came to be dominated by girl groups, surf music, novelty pop songs, clean-cut teen idols, and Motown music. Another important change in music during the early 1960s was the American folk music revival which introduced Bob Dylan, Joan Baez, Pete Seeger, The Kingston Trio, Harry Belafonte, Odetta, Phil Ochs, and many other singer-songwriters to the public.

Girl groups and female singers, such as the Shirelles, Betty Everett, Little Eva, the Dixie Cups, the Ronettes, Martha and the Vandellas and the Supremes dominated the charts in the early 1960s. This style consisted typically of light pop themes about teenage romance and lifestyles, backed by vocal harmonies and a strong rhythm. Most girl groups were African-American, but white girl groups and singers, such as Lesley Gore, the Angels, and the Shangri-Las also emerged during this period.

Around the same time, record producer Phil Spector began producing girl groups and created a new kind of pop music production that came to be known as the Wall of Sound. This style emphasized higher budgets and more elaborate arrangements, and more melodramatic musical themes in place of a simple, light-hearted pop sound. Spector's innovations became integral to the growing sophistication of popular music from 1965 onward.

Also during the early 1960s, surf rock emerged, a rock subgenre that was centered in Southern California and based on beach and surfing themes, in addition to the usual songs about teenage romance and innocent fun. The Beach Boys quickly became the premier surf rock band and almost completely and single-handedly overshadowed the many lesser-known artists in the subgenre. Surf rock reached its peak in 1963–1965 before gradually being overtaken by bands influenced by the British Invasion and the counterculture movement.

The car song also emerged as a rock subgenre in the early 1960s, which focused on teenagers' fascination with car culture. The Beach Boys also dominated this subgenre, along with the duo Jan and Dean. Such notable songs include "Little Deuce Coupe", "409", and "Shut Down", all by the Beach Boys; Jan and Dean's "Little Old Lady from Pasadena" and "Drag City", Ronny and the Daytonas' "Little GTO", and many others. Like girl groups and surf rock, car songs also became overshadowed by the British Invasion and the counterculture movement.

The early 1960s also saw the golden age of another rock subgenre, the teen tragedy song, which focused on lost teen romance caused by sudden death, mainly in traffic accidents. Such songs included Mark Dinning's "Teen Angel", Ray Peterson's "Tell Laura I Love Her", Jan and Dean's "Dead Man's Curve", the Shangri-Las' "Leader of the Pack", and perhaps the subgenre's most popular, "Last Kiss" by J. Frank Wilson and the Cavaliers.

In the early 1960s, Britain became a hotbed of rock 'n' roll activity during this time. In late 1963, the Beatles embarked on their first US tour and cult singer Dusty Springfield released her first solo single. A few months later, rock 'n' roll founding father Chuck Berry emerged from a 2+1⁄2-year prison stint and resumed recording and touring. The stage was set for the spectacular revival of rock music.

In the UK, the Beatles played raucous rock 'n' roll – as well as doo wop, girl-group songs, show tunes – and wore leather jackets. Their manager Brian Epstein encouraged the group to wear suits. Beatlemania abruptly exploded after the group's appearance on The Ed Sullivan Show in 1964. Late in 1965, the Beatles released the album Rubber Soul which marked the beginning of their transition to a sophisticated power pop group with elaborate studio arrangements and production, and a year after that, they gave up touring entirely to focus only on albums. A host of imitators followed the Beatles in the so-called British Invasion, including groups like the Rolling Stones and the Kinks who would become legends in their own right.

As the counterculture movement developed, artists began making new kinds of music influenced by the use of psychedelic drugs. Guitarist Jimi Hendrix emerged onto the scene in 1967 with a radically new approach to electric guitar that replaced Chuck Berry, previously seen as the gold standard of rock guitar. Rock artists began to take on serious themes and social commentary/protest instead of simplistic pop themes.

A major development in popular music during the mid-1960s was the movement away from singles and towards albums. Previously, popular music was based around the 45 single (or even earlier, the 78 single) and albums such as they existed were little more than a hit single or two backed with filler tracks, instrumentals, and covers. The development of the AOR (album-oriented rock) format was complicated and involved several concurrent events such as Phil Spector's Wall of Sound, the introduction by Bob Dylan of "serious" lyrics to rock music, and the Beatles' new studio-based approach. In any case, after 1965 the vinyl LP had definitively taken over as the primary format for all popular music styles.

Blues also continued to develop strongly during the '60s, but after 1965, it increasingly shifted to the young white rock audience and away from its traditional black audience, which moved on to other styles such as soul and funk.

Jazz music and pop standards during the first half of the 1960s was largely a continuation of 1950s styles, retaining its core audience of young, urban, college-educated whites. By 1967, the death of several important jazz figures such as John Coltrane and Nat King Cole precipitated a decline in the genre. The takeover of rock in the late 1960s largely spelled the end of jazz and standards as mainstream forms of music, after they had dominated much of the first half of the 20th century.

Country music gained popularity on the West Coast, due in large part to the Bakersfield sound, led by Buck Owens and Merle Haggard. Female country artists were also becoming more mainstream (in a genre dominated by men in previous decades), with such acts as Patsy Cline, Loretta Lynn, and Tammy Wynette.

Already heralded by Colin MacInnes' 1959 novel Absolute Beginners which captured London's emerging youth culture,[10] Swinging London was underway by the mid-1960s and included music by the Beatles, the Rolling Stones, the Kinks, the Who, Small Faces, the Animals, Dusty Springfield, Lulu, Cilla Black, Sandie Shaw and other artists from what was known in the US as the "British Invasion".[11] Psychedelic rock from artists such as Pink Floyd, Cream, Procol Harum, the Jimi Hendrix Experience and Traffic grew significantly in popularity.

Large venues, besides former music halls, included Hyde, Alexandra and Finsbury Parks, Clapham Common and the Empire Pool (which became Wembley Arena). This sort of music was heard in the United Kingdom on TV shows such as the BBC's Top of the Pops (where the Rolling Stones were the first band to perform with "I Wanna Be Your Man"), and ITV's Ready Steady Go! (which would feature Manfred Mann's "5-4-3-2-1" as its theme tune), on commercial radio stations such as Radio Luxembourg, Radio Caroline and Radio London, and from 1967 on BBC Radio One.[12][13]

The Rolling Stones' 1966 album Aftermath has been cited by music scholars as a reflection of Swinging London. Ian MacDonald said, with the album the Stones were chronicling the phenomenon, while Philippe Margotin and Jean-Michel Guesdon called it "the soundtrack of Swinging London, a gift to hip young people".

During the early 1970s, popular music continued to be dominated by musicians who had achieved fame during the 1950s and the 1960s such as the Rolling Stones, The Who, Elvis Presley, Johnny Cash, Loretta Lynn, Conway Twitty, Bob Dylan, The Grateful Dead, and Eric Clapton. In addition, many newcomer rock groups such as Black Sabbath and Led Zeppelin appeared. The Beatles disbanded in 1970, but each member of the band immediately released a highly successful solo album, and Paul McCartney especially would remain extremely popular throughout the decade. Singer-songwriters such as Elton John, James Taylor and Jackson Browne also came into vogue during the early 1970s.

So, to make a long story short, the Sixties and Seventies form the background of my musical predilections. Here is a selection of my preferences: